Category: Books

WisCon 35

My con badge

After a year away I returned to my first and favorite SF convention, WisCon. I last attended in 2008, and had such a good experience that I sent Nalo Hopkinson flowers as thanks for having convinced me to go despite my incredulity. As good as 2008 was, this year was even better. A big part of the reason why relates to that pink thumbnail.

Day 1:

J, sky buddy.

My WisCon began before I even got to Madison. While still in DFW airport I met up with J, just parted from M after flight delays forced them to take separate planes. J had been assigned the last standby seat on a direct flight to Madison, whereas M had already boarded a plane to Minneapolis, where she would get a ride into Madison from Haddayr Copley-Woods and David Schwartz. Fortunately for me, though, J’s flight was the same as my own, and we got to sit next to each other chatting about interesting research in psychology and physics all the way to Wisconsin.

We were picked up at the airport by Karen Meisner. She took us to her (amazing!) house, and introduced us to (amazing!) Amal El-Mohtar. We chatted for a while in Karen’s library, then went to the Madison Concourse Hotel to check in to our rooms. Then it was off to the Guest of Honor reading at A Room Of One’s Own, one of the last remaning feminist bookstores in the country. The event began with the reading of Joanna Russ’s story, “When It Changed,” and then WisCon Guest of Honor Nisi Shawl read an excerpt from a story that was, I believe, published in one of this year’s WisCon publications. It involved oracular dreams about Michael Jackson, who would also be a subject of Nisi’s Guest of Honor speech on Day 4. (UPDATE: Karen points out in the comments that the story, “Pataki,” was originally published in Strange Horizons and can be read here.)

After the reading J went off to find M, and I met up with roommates Keffy Kehrli and Liz Argall (who was to stay with us unti Liz Gorinsky arrived the next day). We ended up going out to a Japanese fusion restaurant with a group that included my former teacher Mary Anne Mohanraj, Kat Bayer, as well as a man named Alex. (Unfortunately, no one had name tags yet, and I didn’t get Alex’s last name written down. If you read this, let me know who you are!)

After dinner it was back to the hotel, where Keffy and I had a pleasant reunion with Geoff Ryman, our other former Clarion teacher who was at the con. We ended up in the bar, where Geoff bought us drinks, and I finally got to meet Rachel Swirsky and her husband Mike. Rachel is a graduate of the Iowa Writers’ Workshop, and was extremely generous with her time when I emailed her out of the blue some months ago to ask about her workshop experience. It was lovely to finally meet her, and I ended up spending a long time at a table chatting publishing with Rachel, Keffy, Liz A., Kater Cheek, and Julie Andrews. Eventually the gin that Geoff poured into me had me feeling extra social, and I introduced myself to Gwenda Bond and reintroduced myself to Annalee Newitz, whom I had met previously when she gave a lecture at Trinity University. We discussed our favorite extinct megafauna. Eventually the bar began to empty, and Keffy, Liz A., and I went up to our room and crashed.

Day 2:

Spent a long, lazy morning in the room chatting with Liz A. and Keffy. Our phantom fourth roommate, Michael Underwood, had appeared sometime during the night, but was gone again before the rest of us got up. Eventually we got up and left the room, immediately running into Cat Valente who had the room across the hall. We ended up heading to lunch at a noodle place with Cat and several of her friends, whose names I failed to write down. (Were you at that lunch? Let me know who you are!) After lunch I went to the WisCon gathering and poked through stacks of ARCs. A little while later I got a call from Rachel, who wanted to introduce me to several of her students from when she was at Iowa. I met L Savich, Ryan Leeds, An Owomoyela, Jei, Sam Larsen-Ferree, and Jai Marcade. I also met Ann Leckie, who was not one of Rachel’s Iowa City students, but seems lovely all the same.

From there I went to a panel on autism and Asperger’s syndrome in fiction. Curiously, no one on the panel was actually on the autism spectrum. Haddayr commented on this and offered to give up her panel space to any audience member on the spectrum who wanted it, but no one accepted her offer. That turned out to be for the best, as Haddayr ended up being the most insightful of the panelists. There was another panelist who was woefully uninformed about autism issues and frequently made statements that were ignorant to the point of being offensive, such as characterizing autism as a mental illness and equating Asperger’s syndrome with psychopathy. Fortunately, Ryan Leeds, who is on the spectrum, was in the audience and called her on her more outrageous pronouncements, giving a much-needed insider perspective. Rachel Swirsky also was not shy with her displeasure, for which I was grateful. It was, as Haddayr later noted, a panel where the audience was educating the panelists.

Stylin’ in a piece from the M Collection.

From there I met up with Liz A., J, and M (safely arrived in Madison), and went out to another Japanese restaurant with Ben Rosenbaum, Susan Marie-Groppi, and David Moles. Liz A. and I spent most of the dinner talking with Ben about Maimonedean Judaism, and attempted a positive construction of atheist principles.  After the meal we walked around Madison until we found a FedEx store to make copies of the posters for the Genderfloomp Dance Party (about which, more later) and the We Have Always Captured the Castle reading (ditto). On the way we talked of generational shifts in feminism, SlutWalks, and things from childhood that fail to age well. On the way back I mostly talked about how I was cold and getting rained on, so M, who was wearing many layers, lent me her jacket.

Back at the hotel it was time for the karaoke party. Liz A. sang “I Wanna Be Sedated,” and goaded me into finding something on the list to sing. None of my usual karaoke songs (i.e., songs that merely require speaking to a beat rather than singing) were on the list, so I ended up giving a first-time performance of “I Am The Walrus.” Ben, Amal, and David queued up “Like a G6,” but ignored the lyrics on the screen and instead performed “Roll a D6.” M offered an astonishingly great rendition of “Born This Way,” complete with contextualizing editorial against theism and biological essentialism. Then I got to serve as one of several lascivious backup dancers for Liz A.’s performance of “I Touch Myself.” By that point it was pretty much equal parts karaoke and dance party, and it didn’t let up until well after midnight. When it was over I went up to the party floor and spent a while chatting with Rachel among the wreckage of the FOGcon party, but soon discovered that three hours of dancing had left my legs unable to keep me upright for extended periods of time, and so took them upstairs to bed.

Day 3:

Began my day by following Keffy down to the “Journeyman Writers’ Group” event, largely because it was being run by Vylar Kaftan, whom I wanted to meet. There was an interesting discussion of query letter verbiage, but overall I didn’t get a lot out of it. After that I spent some time in the lobby with Rachel who introduced me to Sarah Prineas, who lives in Iowa City and who let me know about the local SF writers’ group she’s involved with. While I was in the lobby I ran into Kelly-Sue DeConnick and Laurenn McCubbin, who I had been looking forward to meeting at the con, and planned a breakfast date for the next day. Then it was back upstairs for an important cosmetics appointment.

Karen Meisner: making my stuff prettier since 2009.

In response to my saying that I was not very good at it, Karen had the day before offered to paint my nails for the Genderfloomp Dance Party. I went up to my room to retrieve my cosmetics, and found Karen and Susan chatting at the 12th floor computer desk. Karen offered to do my nails right there, and produced some varnishes of her own she had brought for the purpose. We ended up doing a layer of bubblegum pink (mine) under a layer of glittery clear coat (Karen’s). It took me a while to internalize that I couldn’t use my hands normally right after my nails were painted, and Karen ended up having to redo a few of them, but eventually I figured it out. While my nails were drying I chatted with Karen and Susan about the distinctions between editorial vision and editorial bias, and as other people walked by they were drawn in by the salon atmosphere. J, Cat Valente, Gwenda Bond, and Theodora Goss all paused a while in the hallway to discuss fiction and cosmetics with us. Eventually my nails were dry and the next round of programming about to start, and the salon dispersed.

I went with Jen to the “…And Other Circuses” reading by Gwenda Bond, Richard Butner, Genevieve Valentine, and Christopher Rowe. Gwenda read the beginning of her circus-themed novel in progress. Richard read a story called “Backyard Everest” which was not circus themed in any way, but was great fun. Genevieve read an excerpt from Mechanique: A Tale of the Circus Tresaulti, her novel which just sold out its first print run (I went to the dealer’s room an grabbed a copy immediately after the reading). (Side note: before the reading started I finally got to let Genevieve know that she seems to be the only other person on the planet who understands the fabulous wonderfulness of Flight of Dragons the same way I do. I agree with every letter of that link. Until I found a clean digital copy of the movie, it would have been impossible for me to justify having children.) Christopher read a circus-themed excerpt from his D&D novel, and then a non-circus-themed excerpt from another novel, the title of which (if it had one) I failed to record. After the reading I chatted with Christopher, M, and Alice Kim, whom I had met 2 years ago and of whose writing I have since become a great fan.

I went to dinner with Keffy, Sunny Moraine, and Liz Fidler. We went to a pub food and beer restaurant, where the food was quite good, as was the company, but I unfortunately had to leave the meal early with a minor bout of Crohn’s issues. I went back to the hotel and read in my room for a couple of hours until they passed. When I was feeling better I headed to the Governor’s Club lounge to snack, and ended up hanging out with Kater, Nayad Monroe, Michael Thomas, Lynne Thomas, and Seanan McGuire. Seanan and I figured out that I had met her once before, when I was in elementary school and she was playing Little Red Riding Hood in the touring company of Into The Woods. This set a new life record for known delay between two meetings with the same person.

I caught the end of the always entertaining Tiptree auction with Keffy and Liz A. I got there just in time to see Geoff get held down while a Space Babe temporary tattoo was applied to his cheek. (A cheek on his face, as opposed to elsewhere, thanks to a $100 intervention by the Tiptree Motherboard.) I made a late, winning bid on an ARC of “The Alchemist” by Paolo Bacigalupi. Then I went up and fluttered around the parties on the 6th floor for a while. I ran into M, J, and Alice in the hallway, and as we discussed physical fitness a group began to nucleate around us. Eventually we grew too large for the hallway and bounced around floors for a while looking for free couch space. Eventually we ended up in M and J’s room with Kater, Geoff, Gwenda, Christopher, Richard, Karen Fowler, Ted Chiang, and Barbara Gilly. We talked about primatology, and played with some of the Genderfloomp party favors, and I won a dollar bet with Ted. Eventually people began to droop, and we all retired to our rooms.

Day 4:

I slept poorly and had a few seriously disturbing dreams. But this resulted in my being awake earlier than normal, so I was able to join J for a light breakfast in the Governor’s club lounge. J let me know that reservations for next year’s convention block of hotel rooms opened that morning, so I headed down to the lobby and booked a room for 2012. Then I waited for Kelly-Sue and Laurenn.

Ten years!

This breakfast was ten years in the making. I first interacted with Kelly-Sue on the Warren Ellis Forum when I was 17 years old. She was already one of the cleverest and most well-liked people in that community when teenager-E. J. first got there, looking to impress. Laurenn I don’t think I had ever previously interacted with online, but I remember that not long after I joined the WEF, people started talking about Laurenn’s book XXXLiveNudeGirls, and I soon became a great fan of Laurenn’s artwork. Kelly-Sue got married to a man she met on the forum and had children and became a comics translator and writer, and Laurenn kept making art and became an illustrator and comics artist. I became, well, me. Finally, after a decade: coffee, tea, and scrambled eggs.

This is my “I can’t believe I’m really having breakfast with Laurenn McCubbin” face.

Laurenn told me about her experiences getting an MFA, and about the visual media program she’s going back to grad school for, and told me that, based on our conversation, she thought I would do well as a grad student. Kelly-Sue congratulated me on Iowa and told me that she and her husband Matt had followed some of the younger WEFugees online over the years and that I hadn’t disappointed, which is one of those absurdly generous compliments that comes out of nowhere to knock your world slightly askew. We talked about Kelly-Sue’s career, and her children, and I got to tell her how an interview she gave while pregnant with her second child was crucial to helping me crack open the emotional core of a story I was writing. It was a delightful meeting with people I’d admired from afar for years, who turned out to be even more impressive in person. I hope I don’t have to wait ten more years for our next encounter.

After breakfast I went to the panel, “How to Respond Appropriately to Concerns About Cultural Appropriation,” and listened to Geoff, Rachel, Victor Raymond, and K. Tempest Bradford speak intelligently on the subject. Geoff had a comment I especially liked that cultural practices and artifacts are embedded in cultural context, and that severing them from their context to serve as set dressing in a story is a hallmark of poor writing. After that panel I stayed in the room for the next bit of programming, “Sibling of the Revenge of the Not Another F*cking Race Panel,” with Tempest, Amal, LaShawn Wanak, and two other people whose names I neglected to write down. (UPDATE: The other two were Candra Gill and Isabel Schechter.) This was almost all good fun, but was pretty much ruined for me by one guy who went up and made an ass of himself. His name was Ben, and he had already revealed himself as someone prone to boorish behavior at the karaoke party. He went up to ask a question, and my stomach twisted into knots at the car-crash-seen-through-a-window feeling that something bad was about to happen and I was powerless to stop it. Sure enough, he spent a few minutes with a microphone in his hand doing little other than harassing Amal. She handled him with great aplomb, but I, who frequently watch awkwardness comedies like The Office through the cracks in my fingers, had my face buried in my hands the whole time. Eventually the audience booed him and Tempest called him on spouting entitled nonsense and sent him back to his seat. After that the panel proceeded normally, but I was too keyed up to really enjoy it.

After the panel I left the hotel and went to Michelangelo’s for the “We Have Always Captured the Castle” reading with Ben, J, M, David Moles, Amal, and Geoff. Ben read an excerpt of his novel in search of a title, in which multi-bodied humans of the far future scoff at the notion of colonizing other planets. J read a lyrical story of a fisherman with a magical boat. M read an excerpt of her novel-in-progress, which was fantastic. (I’m just going to pause here to reiterate: M is writing a novel. Get excited, tell your friends; this is a big fucking deal.) David read a story called, “What We Talk About When We Talk About Giant Robots.” Amal sang a song, recited a poem, and read a story. Geoff, being a gifted performer as well as a brilliant author, was made to go last. He read a monologue-style story about a man whose job is to collect evidence for war crimes trials in areas where rape is being used as a weapon of war. He embodied his main character, and the whole room was stone silent, and when the story ended it took us a good 15 seconds to remember to applaud. There wasn’t a dry eye in the room. I had to remove my glasses because watching him perform while I listened to him became a little too overwhelming. It was a deeply disturbing and powerful piece.

Between the unpleasantness at the panel and the affecting end to the reading, I ended up a bit dazed. The sequence of events evoked a surge of social anxiety, and I wandered around feeling oddly insulated from my environment. Back at the hotel, Karen Meisner found me and asked, “Are you feeling a little lost?” She gave me a huge, unprompted bolus of acceptance and reassurance, and cemented my perception of her as one of the kindest and most gracious people I’ve ever met. I headed up to my room to wait out my already ebbing funk, and commiserated with Keffy, who was also feeling shaken after an unpleasant encounter with someone possessed of a very poor understanding of how to be a trans ally. We chilled for a while, talking and reading. Then I went to have a dinner of snacks from the Governor’s lounge before heading down to listen to the Joanna Russ memorial and the Guest of Honor speeches, both of which were moving. I did not, though, stay to watch the Tiptree Award presentation, because it was time to prepare for the Genderfloomp Dance Party.

Genderfloomp:

*pout*

M had told me she was planning the Genderfloomp dance party with Liz G. some months prior to the con, when we were hanging out in Austin. The mandate: “We seek to explore and expand our concepts of gender via booty-shaking.” The motto: “Fuck the binary, let’s boogie.” When she told me about the event, M also mentioned that all the guys she had told responded with something like, “Sounds fun, do I have to dress up?” and preemptively assured me that I could attend even if I was unwilling to do drag. By implicitly doubting my commitment to sparklemotion, M ensured that I would go absolutely overboard. I gave myself a $50 budget and spent two weeks putting an outfit together, getting lessons in fashion and cosmetics from hand-picked representatives from the San Antonio community theater crowd. I color-coordinated my accessories and bought ankle boots. I grew a beard just so I could shave it off before the dance. I was shooting for dazzling.

The dance was easily my favorite con programming. It was joyous and human and enthusiastic and exhausting. People made shadow puppets, twirled feather boas, kicked off their shoes and pasted on mustaches. There was a dance contest, which Keffy won after an epic one-on-one battle with Ben. I won Best Dressed, along with another fellow whose name, I believe, was Tom. At some point Liz A., Keffy, Amal, and I went up to the photobooth on the 6th floor and posed for floompy pictures. As the winners of Best Dancer and Best Dressed respectively, Keffy and I had to pose for a fight picture:

Cynthia Sparklepants vs. Charles Beauregard

While up in the photobooth, we stood in a circle and gave each other new names. I named Liz A., “Lionel Cho, disgraced patent attorney.” Liz A. named Keffy, “Charles Beauregard, construction worker at large.” Keffy named Amal, “Gus Wrigley, accountant to the stars.” Amal named me, “Cynthia Sparklepants, party princess.” These names have been immortalized in the WisCon 35 Photobooth Flickr stream. That silliness done, we went back to the dance party and boogied until we dropped. The crowd did eventually begin to thin out, but there was a group of post-floomp hardcore who stuck around until 5:00 am, which included myself, Anthony Ha, Karen, Ben, Liz A., Liz G., Amal, Alice, and M. But even we had to, eventually, call it a night. Hopefully there will be more floomping at future WisCons. For more pictures of Genderfloomp, you can view my Picasa album, or [broken link to M’s album removed].

Day 5:

Travel day. After packing away my cosmetics and jewelry, I had a quick breakfast in the Governor’s lounge with Keffy, Mike Underwood, Annalee Newitz and Charlie Jane Anders (both of whom had cut up the dance floor something fierce the night before). Then checkout, a sprint through the airport to catch my plane, and a lot of sitting around until I found myself back in San Antonio, WisCon behind me, the Texas sun sparkling off of my fingernails.

Home.

Recent Reading (Jan 2011)

I finished four novels this month, all of them highly engaging.

The Windup Girl by Paolo Bacigalupi — I finally got around to reading the most celebrated SF novel of last year.  I was already a fan of Paolo’s short stories, and this novel shares a future with two of his best, “The Calorie Man” and “Yellow Card Man.”  Indeed, stories a Calorie Man and a Yellow Card Man comprise about half of the plot of the novel.  What I found most notable about this book was that it draws a world too complicated for even the most competent and well-connected characters to be able to meaningfully plan for.  Subtle and considered machinations are again and again rendered irrelevant by circumstance and randomness.  In the end, the character who seems to escape the novel with the most personal agency is a fully amoral and decrepit geneticist who takes hedonistic delight in being a conduit for change, just because he can.  It’s a rich, compelling, and pessimistic book.  Easily recommended, though I think I agree with Abigail Nussbaum when she says that the whole feels less completely successful than the short stories that inspired it. (Link to her far more comprehensive review.)

Surface Detail by Iain M. Banks — The latest of Banks’s Culture novels, which I generally love.  The novel follows the stories of various individuals in some way connected to a “confliction,” that is, a virtual war, over the propriety of societies creating simulated versions of their mythological hells to house the consciousnesses of the dead.  The Culture, naturally, is opposed to the practice of consigning conscious entities to eternal simulated torture, but there are equivalently powerful societies in favor of the practice, and so a virtual war is waged with the various actors contractually obligated to abide by its conclusion.  But as the confliction draws to a close, there is increasing likelihood of the war spilling over into the Real. This was an exciting novel, though not one that will ever enter the eternal conversation over which Culture novel is the best jumping-on point for new readers.  There are too many references to things that have gone before for a newcomer to the universe to get as much out of it as a reader already familiar with this milieu.  I have some minor quibbles with the believability of two elements of the climax, but there’s no way to discuss them without being more spoiler-y than I care to in a capsule review.

Ship Breaker by Paolo Bacigalupi — I found that I enjoyed Paolo’s YA novel even more than I enjoyed The Windup Girl. I really have nothing negative to say about this book; the characters are deep and believable, and the world is as rich as any he’s written. It follows Nailer, a child laborer who works stripping beached tankers and lives in a coastal slum.  (The coast in question is the Gulf Coast of a depleted and flooded future USA)  He has no prospects for any kind of upward social mobility until a storm causes a ship of a very different kind to wreck near his beach.  The book has several nuanced explorations of class, family, and violence.  It was a deserving winner of the Printz award.

China Mountain Zhang by Maureen McHugh — My favorite of the four novels I read this month.  This book was published in 1992, but it feels perfectly in touch with the zeitgeist of today.  It is set in a 22nd century where China is the primary world power and the US has had a socialist revolution in the wake of an early 21st centure collapse of the US bond market.  The main character is a mixed-race Hispanic and Chinese gay man who has undergone gene splicing to hide his mixed heritage.  There are no world changing events in this novel, no great heroics or eyeball kicks. This is a quiet, first person novel that dips in and out of the lives of several characters as it charts the different ways people fail and succeed and love in a very believable future.

The Women Science Fiction Writers Meme

I’ve been in blog hibernation for a while, and it may continue a while longer, but this meme caused me to stir–if for no other reason than because I want this list of writers in a place I can easily find it.

First, the wonderful 3 minute video that inspired it:

Then the meme:

Bold the women by whom you own books
Italicize those by whom you’ve read something of (short stories count)
*Star those you don’t recognize

Andre Norton
C. L. Moore
Evangeline Walton*
Leigh Brackett
Judith Merril*
Joanna Russ
Margaret St. Clair*
Katherine MacLean*
Carol Emshwiller
Marion Zimmer Bradley
Zenna Henderson*
Madeleine L’Engle
Angela Carter
Ursula LeGuin
Anne McCaffrey
Diana Wynne Jones
Kit Reed*
James Tiptree, Jr.
Rachel Pollack*
Jane Yolen
Marta Randall*
Eleanor Arnason*
Ellen Asher*
Patricia A. McKillip
Suzy McKee Charnas*
Lisa Tuttle*
Nina Kiriki Hoffman
Tanith Lee
Pamela Sargent
Jayge Carr*
Vonda McIntyre
Octavia E. Butler
Kate Wilhelm
Chelsea Quinn Yarbro*
Sheila Finch*
Mary Gentle
Jessica Amanda Salmonson*
C. J. Cherryh
Joan D. Vinge
Teresa Nielsen Hayden
Ellen Kushner
Ellen Datlow
Nancy Kress
Pat Murphy
Lisa Goldstein*
Elizabeth Ann Scarborough*
Mary Turzillo*
Connie Willis
Barbara Hambly*
Nancy Holder
Sheri S. Tepper
Melissa Scott*
Margaret Atwood
Lois McMaster Bujold
Jeanne Cavelos*
Karen Joy Fowler
Leigh Kennedy*
Judith Moffett*
Rebecca Ore*
Emma Bull
Pat Cadigan
Kathyrn Cramer
Laura Mixon*
Eileen Gunn
Elizabeth Hand
Kij Johnson
Delia Sherman
Elizabeth Moon
Michaela Roessner*
Terri Windling
Sharon Lee*
Sherwood Smith*
Katherine Kurtz*
Margo Lanagan
Laura Resnick*
Kristine Kathryn Rusch
Sheila Williams
Farah Mendlesohn
Gwyneth Jones*
Ardath Mayhar*
Esther Friesner*
Debra Doyle*
Nicola Griffith
Amy Thomson*
Martha Wells*
Catherine Asaro*
Kate Elliott
Kathleen Ann Goonan
Shawna McCarthy
Caitlin Kiernan
Maureen McHugh
Cheryl Morgan
Nisi Shawl
Mary Doria Russell
Kage Baker
Kelly Link
Nancy Springer
J. K. Rowling
Nalo Hopkinson
Ellen Klages
Tanarive Due*
M. Rickert
Theodora Goss
Mary Anne Mohanraj
S. L. Viehl*
Jo Walton
Kristine Smith*
Deborah Layne*
Cherie Priest
Wen Spencer*
K. J. Bishop
Catherynne M. Valente
Elizabeth Bear
Ekaterina Sedia
Naomi Novik
Mary Robinette Kowal
Ann VanderMeer

Three Things Make A Blog

That’s what I’ve heard, anyway. And I think I can scrape up that many. First, some good news: my story “Husbandry” was given an honorable mention by Ellen Datlow for her anthology Best Horror of the Year Vol. 2. Thanks so much, Ellen, I’m thrilled to make your longlist.

Next, a digital version of the April/May double issue of Asimov’s, containing my story “Adrift,” is now available from Fictionwise. If you wanted to read “Adrift” but were unable to find a physical copy of the magazine, you can now download it here for about $5.

I need a third thing. How about a weird Turkish knockoff of Star Trek? It is based on the first episode of the show, “The Man Trap,” and has English subtitles. It steals footage from the original for effects shots and when the opening credits run too long for the Star Trek theme, they cleverly borrowed music from other science fiction shows to make up the difference. And the description says that it features once popular Turkish character called Omer the Tourist.

Behind the Scenes at Asimov’s on the Sofanauts

People interested in the ongoing discussion about the future of short fiction may be interested in the most recent episode of The SofanautsThe Sofanauts is usually a show about current events in the SF field, but this week’s episode is a special with writers Jeff Vandermeer and Jeremy Tolbert and Asimov’s editors Sheila Williams and Brian Bieniowski, discussing the state of Asimov’s in particular and the print markets for short SF in general. Among the interesting things on the program is an explanation for why the seemingly precipitous decline in subscriber numbers over the last couple of decades, commented on by Warren Ellis and others, is a misleading artifact of a changed marketing model.  (I’d actually like even more detail on what the old model was and how it contributed to inflated numbers.)  Also, Sheila informs that subscriber numbers have risen 10% in the last year, lead by electronic subscriptions through the Kindle. Jeff and Jeremy take Brian and Sheila to task for the state of Asimov’s internet presence, and Sheila reveals some behind-the-scenes information about the contraints that come with being part of a larger organization.  A very interesting 90 minutes for people following the “are the magazines doomed or aren’t they?” debate.

Support Our ‘Zines Day

My friend and Clarion classmate Damien G. Walter has been agitating for a movement in support of speculative fiction’s short story markets, and it has culminated with Oct. 1 being designated Support Our ‘Zines Day.  He is urging all of us to find ways today — monetary contribution, private communication, public oratory — to express our appreciation for the ‘zines we love.

Foremost in my affections is Strange Horizons, for reasons I’ve written about before.  Another online magazine I frequently enjoy is Clakesworld Magazine.  As far as places on the internet to read neat stuff goes, it really doesn’t get better than these two.

On the print publication side, Weird Tales is one of those magazines that I not only enjoy for its content, I also enjoy the way that reading it in public makes me feel cool.  It’s just has that much character to it, holding it makes you feel like part of something.  So, Weird Tales gets a thumbs up from me.

Electric Velocipede I haven’t ever read a copy of yet, but it seems to be buying stories from every one of my awesome friends, clearly reflecting a daring and laudable editorial philosophy.  I’ll be buying this one myself soon.

Apex is publishing a fair amount of stuff I like lately, as is Fantasy Magazine. Back amongst the living is Realms of Fantasy, and while it remains to be seen what its new incarnation will be like (I found it pretty inconsistent before), it published one of my favorite individual stories I read in the last year.  Sybil’s Garage is another one of those strong-on-character ‘zines that combine content and presentation into a really exciting package.

Finally, let us not forget America’s Big Three — getting smaller by the day and as in need of support as ever — Asimov’s, Analog, and Fantasy & Science Fiction.  Asimov’s just bought a story from me, and getting a story into the other two, especially F&SF, is a career goal.  People criticize them for being slow to react to a new media landscape, and there is perhaps some truth to that.  But I’d like them to stick around, and think we will all be poorer for it if they go.

So, that’s a lot of links, reflecting a lot of different creative visions.  I encourage you to go, sample, see what strikes your fancy.  And if something strikes it especially hard, subscribe/donate/write an encouraging letter.  Spend a little time and energy giving one of these publications a nudge forward into the future.

A Strange Horizons Fund Drive Update

For one day only, John and Kristine Scalzi will match donations made to Strange Horizons, up to $500.  I got to meet Kristine and John at Worldcon, and they are fully as amazing people as this act of generosity would suggest.  Let’s help them make the most of this awesome gesture.  Donate to Strange Horizons today.

What Strange Horizons Means to Me

Karen Meisner has explained that she and the other editors of the online SF magazine Strange Horizons, which is run as a donation supported NPO, have a problem I can easily relate to: a lack of facility for self-promotion.  I need to merely think back to how my high school councilors tore their hair trying to get me to sell myself in my college applications to empathize with this.  I feel healthier and happier when I let people decide for themselves what sort of person I am, without trying to convince people I’m awesome, so I am right there when she says that the self promotion push makes her feel icky.  But Karen is very clever, and knows that while tooting one’s own horn is unfun, gushing about things you love and are unconnected with is pleasant and wholesome.  So she has declared this Strange Horizons appreciation week, and asks that people who like the magazine talk about it and explain why.

I first came to Strange Horizons as a reader in 2006.  I originally got sucked in by the stories of Meghan McCarron and Joey Comeau, and I stuck around, finding new authors and voices to love.  At this time I was still working on my physics degree, and in retrospect I can see Strange Horizons as an early step in my focus shifting from science to fiction.  I got unexpectedly excited reading reviews by such cogent and incisive critics as Abigail Nussbaum and Paul Kincaid.  The next semester I carved out a place in my schedule for a class called Fiction Writing, and the semester after that I took Advanced Fiction Writing.

In both of these classes the professor asked that we stick to mimetic fiction rather than writing genre fiction, as he would be focusing his lessons on qualities (complex characterization, exploration of meaningful human scenarios) that mimetic fiction had and genre fiction largely did not.  By the second semester of his course I had built up enough good will that I felt comfortable challenging these stereotypes, and tried to write a piece of genre fiction that ticked all of his mimetic fiction checkboxes.  It was a story of decrepitude and self deception and zombies.  A couple of years later I decided I wanted to go to Clarion, and used that story in my application.  And when the people at Clarion convinced me that it was worth trying to get my work published, I sent that story to Strange Horizons.  They published it earlier this year — my first professional sale.

overdeskThis is the wall over my desk.  The photographs on the right are my high school creative writing class, my college graduation, and my Clarion class.  On the left is a National Merit Scholarship certificate and a print by John Picacio.  In the middle there is a lot of empty space that it is my intent to fill with more letters like the one I have framed from the fiction editors of Strange Horizons telling me they wish to publish a story of mine.  They gave me the first chance to fill some space on my triumph wall, as they have done for many others.  Championing new talent is part of their mandate, the fund drive page says that over 10% of their stories in the past year were first publications, like mine.  There are lots of of reasons to love Strange Horizons, but one of the most important is that they are a conduit through which new voices come into the field.  They supported me, and will support other talented people in the future, if we support them.

Go give the Strange Horizons fund drive page a look.

Review of THE RADIO MAGICIAN & OTHER STORIES by James Van Pelt

The Radio Magician and Other StoriesAs previously related, James Van Pelt kindly sent me an advanced copy of his forthcoming short story collection, The Radio Magician & Other Stories to review.  I decided that I would read the book straight through, writing a review of each story as I finished it.

“The Radio Magician” – The story that got me excited about this collection in the first place. This is a very sweet tale with a powerfully realized sense of place and time. It’s about a young boy nearly paralyzed by polio and his love of radio drama and magic (stage magic and real magic, the borders blur)—pretty clear as metaphors for empowerment go. But the heart of this story is the spirit of generosity running through it. This is a warm story, filled with characters who try to make things a little easier for each other, or if not easier at least better. “If we’ve got any magic, we should share it,” our protagonist is told, and finds his empowerment by taking that message to heart. A little gem.

“Where Did You Come From, Where Did You Go?” – A short short, which raises the question, is suffering which inspires great art justified? It raises the question, but given the length doesn’t explore it. More attention is paid to two high school senior protagonists who find that the question might be directly relevant to their future. The main idea of the story seems to be how terrifying it is to make the initial choices that will define one’s life. As a high school teacher, the author likely sees this terror first hand quite a bit.

“The Light of a Thousand Suns” – I had problems enjoying this story. It is largely nostalgia for an out-of-fashion fear: cold war style nuclear annihilation. It is self-aware nostalgia, so the fact that I am not of the generation that grew up being taught to hide under school desks wasn’t fatal to my enjoyment. Rather, I was thrown out of the story by the way suicide bombing is described as a magical ritual. By way of explanation for the magic that takes place in the story we are told that suicide bombers do what they do essentially to curry magical favor—a sacraficial magic model. Suicide bombing, from what I understand of the systems of control, manipulation, and vicimization that enable it and result from it, is too much of a multivariate human tragedy for me to accept it being used so flippantly. The bombers themselves are as likely as not to be disconsolate people manipulated by fanatics with a vested interest in perpetuating cycles of violence. I can’t easily accept a story about how horrifying nuclear proliferation is conceptually when that story is simultaneously glossing over how horrifying suicide bombing is in practice.

“Of Late I Dreamed Of Venus” – Centuries long terraforming of Venus by a woman who is an ultra-rich industrialist in sort of the Rod McBan (Norstrilia)/Randy Hunter (Timemaster)/D. D. Harriman (“The Man Who Sold The Moon”) mold; rich to the point that practicality is no longer an important consideration as she pursues her ambitions. (It occurs to me that in hard SF huge sums of money have long served as a stand-in for magic. These days I suppose it is huge sums of money or the Singularity.) Her wealth plus the availability of long term suspended animation allows her to pursue and personally oversee her goal of turning Venus into a paradise, and her secret goal of transforming her assistant into her ideal companion. She learns there are limits to what can be controlled. The thematic beats are heavily telegraphed and there are several extended dream sequences which are necessary for pacing, but whose content add little to the story. Still, I enjoyed it, especially the mechanics of terraforming and the details of how society has changed each time the viewpoint character awakens. The evolving Venus is well realized.

“Different Worlds” – a 10-year-old girl and her dog must care for her injured and delirious father in a world where aliens have conquered Earth to emancipate certain domesticated animals. Kind of reminds me of more diplomatically inclined versions of the probe from Star Trek IV, or the aliens in John Varley’s The Ophiuchi Hotline universe. Beyond the metaphor of the title which is explained by an anecdote the father tells, this seems a very straightforward tale. Or there are subtleties I managed to miss. I’d be interested to know if this story had a specific inspiration; it kind of feels like it is a reaction to something, though I can’t pin down what that might be.

“The Small Astral Object Genius” – I really like this one. A boy whose parents are separating throws all his time and energy into a sort of do-it-yourself space probe kit called a Peek-a-boo, pretty clearly inspired by things like SETI@home. But there is no proof that Peek-a-boo is not a scam, tricking kids into thinking they are doing science. Dustin, the main character, expresses a fierce credulity whenever the thing is challenged. Eventually he almost accidentally does something with the device that generates some publicity and alters his family circumstance. The ending has the form of a happy ending, but I can’t help but believe that it is really heartbreaking. Dustin is just as optimistic that things are going to start being better at the end of the story as he is sure that the Peek-a-boo is real. An adult reading the story suspects that he is more likely than not to be disappointed. Very light in tone, but perhaps the darkest story in the book so far.

“Tiny Voices” – Death and new life and funny talking office equipment. Set in a future industrialized nation, probably America, in which in vivo pregnancy has been eliminated and all appliances and tools have electronic intelligence and can speak directly to their users through speakers or through mental implants. An excellent story with some very effective humor and a simple but compelling scenario that I don’t wish to spoil. First story in the collection that has seemed to me to fire on all cylinders as well as “The Radio Magician” does.

“Lashwanda at the End” — A fine example of the “explorers land on a planet without realizing all the ways it can be hostile to them” family of stories, which I generally enjoy. In this story the hostile ecology is primarily vegetative, so it is sort of a more biologically rigorous version of LeGuin’s “Vaster Than Empires and More Slow.” But unlike in that story, the people in this story are not insane, though our viewpoint character is somewhat frantic, as he is having to confront death—specifically the death of a colleague he loves. He has lived for centuries via life extending technology, and finds the prospect hard to deal with. There is a nice subversion of trope in this story, which I won’t spoil. Very good.

“Where and When” – I’m going to give the central conceit of this story away, so now is your chance to skip ahead if you so desire. It’s a time travel story that attempts to solve the paradox problems by positing that it is only possible to time travel to “dead ends,” places where you can’t effect anything because you won’t survive. For example you can travel back to Hiroshima right before the bomb falls, because no “information” from that moment will be accessible by the future. It’s clever, but from a physical standpoint, the information content of the system is still changed when you add the mass of a new human body to it. What these rules prevent is not the perpetuation of information, but of agency. Which in turn suggests the existence of a physical law that is, essentially, a law of conservation of narrative – a concept that is to me even more far-fetched than time travel. That doesn’t keep it from being a fun concept, though I think the story kind of lacks the strength of its convictions by positing the existence of mathematical wiggle room that will allow the main characters to survive. At least, they think they can—I’d like it better if they were wrong. So, on the whole a pretty silly story, although it has typically strong character moments. (One thought that just occurred to me: story order may be working against my enjoyment here, as we just went from a fairly rigorous SF story to a very hand-wavey, light one. This story might seem weaker to a reader primed by the one immediately preceding it.)

“One Day in the Middle of the Night” – A story cleverly structured around making literal truth out of the self-contradictory lines of the rhyming folktale with which it shares a title. The story takes place on a sleeper starship on which the only people awake are two brothers who hate and want to kill each other. A suspense story of hunting and being hunted, I would only criticize it for not having as well visualized a sense of place as most of the other stories in the collection so far.

“Echoing” – A trucker who can barely see through the blowing snow, a suicidal young girl hiding from her family on Christmas, and a being of indeterminate species piloting a psychic ship across the galaxy share a linked experience of uncontrolled momentum towards a dangerous destination. Perhaps their lives are connected by the titular echoing of the psychic ship as its pilot loses control. All of them lack an element of control, but perhaps, barely comprehending what is happening, they can help stabilize each other. A structurally fascinating story.

“The Inn at Mount Either” – A miracle, when discovered, will be monetized. This story is a case of missing persons at a vacation resort that is a hub of alternate realities. And given that alternate realties come into play, a problem of missing persons can be hard to distinguish from one of mistaken identity. A very fun read. Excellent.

“The Ice Cream Man” – Many decades after the onset of a mutagenic apocalypse wherin all living things stop having children that are remotely like themselves, the universal appeal of confectionery makes Keegan the ice cream man the only person who has commerce with both the mutants and the remaining humans. And so he is the only one caught in the middle when the human community decides to abandon a “live and let live” policy and go on the offensive. A story of the factors that go into building a person’s identity, and of choosing sides. Simple and entertaining, with moments of profundity.

“Sacrifice” – The voice in this story is something of a departure from the stories preceding it, which is refreshing. That’s not to say that voice has been a problem, just that the novelty is nice. It is two young people from a fallen, post-technological human culture engaging in a sad ritual. But there is some remaining knowledge of their history that the girl has become aware of thanks to an offscreen wise old man character. In fact, the wise old man character is so wise that the disconnect between his knowledge of what is really going on and the institutional superstition of everyone else strains belief. Also, contains the book’s first sex scenes that I can recall, which are very well written. The story as a whole is pleasant, but difficult to really buy into.

“The Boy Behind the Gate” – I have a new candidate for darkest story in the collection. Here we have two parallel stories set in the same mining town, one in the modern day and one in 1880. Today a man is desperately searching for a kidnapped son he fears is dead, in the past a father is trying to work up the courage to kill a son he fears causes the deaths of other children. The two storylines move toward each other and eventually intersect, but neither father’s course leads to redemptive results. There is a great talent for setting on display in this fairly depressing, though well written, story.

“The Last Age Should Know Your Heart” – Sentient, poetry loving robots trying to reach each other before the heat death of the universe. Beautiful.

“Origin of the Species” – Mythological beings got diluted almost out of existence by mating with humans long ago. Almost. But their characteristics persist as recessive genes. So at the high school where the story is set, our loner point of view character is a little bit werewolf, the big dumb sexually experienced jock is a little bit troll, and it isn’t hard to figure out what the girl they mutually desire, Fay, is. The clever bit though is how the story plays off the way that adolescence seems mythological, every social success or failure an epic victory or tragedy. Here, the teenage years feel fraught with mythology because they literally are. The way the characters grow into their magical stereotypes seems the most realistic part of the story. A bit predictable, but fun all the same.

“The Saturn Ring Blues” – The title could easily fit an episode of Cowboy Bebop, and so could the content. Two ex-lovers take part in a race around Saturn’s rings. The main function of the story is playing around with voice and a blues-y idiom. Again, reading the book straight through, the novely of tone is refreshing, and while there isn’t a lot of depth, the story gets the job done and doesn’t overstay its welcome. Another fun one.

“How Music Begins” – Fabulous. A middle school band is trapped in eternal band camp by mysterious demiurges until they can produce the perfect performance. A richly nuanced story, probably even more so for people who have devoted their lives to teaching and spend their days seeing children develop into adults. Also has what I think is the collection’s first clearly homosexual character. It was starting to bother me that there hadn’t been one yet. The collection ends on a high note.

So, I liked a majority of the stories, which is pretty good for a large collection.  Thanks to James Van Pelt for letting me read it.  The Radio Magician & Other Stories comes out in September.

Public Service Announcement: Cheap Lem

cyberiad

The cover of the relevant edition. The spine is green and black.

I don’t know how widespread this is, but the Borders near my apartment is having some huge sales right now.  I went in there this weekend, and on a table covered in boxes of what I assume is overstock there was a box full of attractive copies of Stanislaw Lem’s The Cyberiad, priced at $4.00 each.  This book is a favorite of my childhood, and one of those special books that remains just as compelling as an adult.  It is a series of related stories about a wacky distant future in which all life is cybernetic life, and largely follows the exploits of two “constructors,” Trurl and Klapaucius, who have the technical expertise to, given enough time, build a machine to do absolutely anything.  Their adventures are always entertaining (the chapter in which Trurl builds a machine to write poetry is one of the funniest pieces of short fiction I know about, and fabulous for reading aloud), and frequently deeply thought provoking as well.  It is easy to agree with the New York Times blurb on the back of this edition which proclaims “Mr. Lem is a Jorge Luis Borges for the Space Age.”  Douglas Hofstadter and Daniel Dennett included two stories from The Cyberiad in their anthology The Mind’s I: Fantasies and Reflections on Self and Soul.  And as if the humor and philosophy weren’t enough, there is also so much clever wordplay that it is hard to believe that it was originally written in Polish.  It’s a book I recommend to people and give away copies of with some regularity, and for four bucks it is a steal.